Unlock The Secrets Of Your Hidden Past Lives
“30 Days To Past Life Memories”
Lesson 4
How to interpret Past Life information and use it to help you nowadays
Before we go through some exercises that will teach you how to access Past Life (or ‘other’ life) information, I next want to introduce you to some simple ideas and techniques that will allow you to capture and use whatever you experience to maximum effect.
There is nothing worse than having a moving or enlightening experience that you know is really poignant and meaningful at the time... but that you lose later on because you didn’t follow some basic guidelines.
Or indeed dismissing something as worthless... when actually there was a pot of gold waiting to be discovered, hidden under an innocuous object.
Get used to adopting the methods we are about to go through, and you will find that even the simplest of experiences can yield fascinating results with surprising benefit to your life nowadays.
Again, we’ll use an example of one of my own regression experiences, because I like to only ‘teach’ or pass on ideas and techniques that I have used personally - this time we’re off to what I think was Polynesia.
Accept everything at first... analyse later
The problem that some people have when attempting Past Life Regression is not the act of actually doing so, but more so being able to recognise and interpret the experience as such both during and afterwards.
When the regression is very ‘real’, with clear, vivid images and detailed ‘memories’, for example, this is not so much of a problem, but at other times when you only pick up ‘snippets’ or ‘snapshots’, shall we say, it can leave you wondering as to what on earth it was all about. At these times, quite useful bits of information can sometimes be discarded because they do not seem important or ‘real’ enough at the time.
The rule I adopt is to accept anything and everything as being valid first of all, and then use the following process to help you evaluate it all later. It will also help if you adopt this practice for ALL your experiences - both the vague and the vivid.
1. Summarise the key elements
Whenever you do a Past Life Regression always keep a pen and paper handy for afterwards. As soon as you are fully aware once again, with your eyes open, write down or summarise the Key Elements, as this will lock them into your conscious mind. Remember what it is like when you suddenly remember a dream? Something will trigger an image - a memory - and then more will follow. These Key Elements, these snippets or snapshots of information will be your triggers to greater recall and understanding, so get them down very simply first of all, as soon as you can.
For example, after my first ever Past Life Regression, I wrote down the following:
Spear... right hand
Beach... sea to the right
Women and children on beach
On guard
Beard
Ayla (name of wife in that life)
Beautiful Sea
Funeral Pyre
Leader
Polynesia?
I also drew a quick and very rough sketch of some of the scenes.
Once you get down these basics, which can serve as memory triggers, you can move onto the next step, which is to...
2. ‘Capture the mood’.
This is where you now begin to fill in the details and introduce the feelings, the emotions and the ‘mood’ of the experience.
In my case, I wrote down the following...
- Spear... right hand... holding it firmly but relaxed as I stand atop a hillside overlooking a very beautiful beach. The spear makes me feel strong - proud. I am a protector, on guard for the village. The men are away hunting, the women are on the beach mending nets and preparing food. Children are playing or helping, depending upon age.
- It is a beautiful scene and I am happy here - happy in my role as protector. As a young man I am respected, though a little serious, I sense, perhaps with a slight hint of exaggerated self-importance.
- The women on the beach take little notice of me, save for one, who is my partner in life. I sense her name is Ayla. She is young, with flowing dark hair though I cannot make out facial details clearly. I feel much love from her though I feel that I take my role too seriously here as well. She humours me but secretly wishes I would relax more.
More details of the beach scene followed, but I eventually moved to the end of that lifetime.
- I am older - perhaps mid-late 40’s. I am bearded and my head is covered with curly, greying hair as I lie on my funeral pyre. (Not scary by the way - before, as I witnessed the beach scene I was ‘in’ my body. Now I am hovering above, perhaps 15 feet or so in the air).
- At the time of my death I sense I am now the leader of our tribe. I do not know how I died - but I sense it is a peaceful passing. I sense the respect and loss form the onlookers gathered around the mound on which I now lie, waiting to be torched, yet there seems little sadness. It is a passing, that’s all.
- And then I am zooming out, leaving the scene, fast, very fast so that it disappears to a speck of light in the distance and I am once again very aware of my current surroundings - a small room at the top of a building, with an elderly hypnotist smiling nearby.
- As I readjust to my surroundings I think of Polynesia.
As you can see, by this stage the mood of the experience, along with some of the finer details, will now be more locked into your conscious mind as well.
At this stage it is also very important that you avoid analysing or discussing your experience with anyone. Just get it written down. Attempt to hold onto the mood, the ambience, the atmosphere as you do so. Write with eyes half-closed as you try to stay ‘in-character’.
Imagine you are an author trying to convey the feel, the mood, the atmosphere of the scene - the tiny details that make a description come to life. Pay particular attention to your feelings and emotions. Don’t worry if it feels like you are making this up sometimes - allow your thoughts and imagination to flow, because it will pay off later.
If you have to walk to another room to get pen and paper or write on a PC, do even this with your eyes half-closed, as if trying to stay asleep, in the same way you would try and hold onto a dream you have just awoken from, before it slips away.
Whatever you do, avoid the temptation of thinking that you’ll remember it later anyway. Get it ‘locked’ into your consciousness as soon as s possible and then you can return later to expand if you wish.
Treat everything as relevant first of all
Remember what we said earlier about treating everything as if it it relevant or important first of all - you can always disregard it later if you wish. Dismiss something too quickly though, and it may be lost for ever.
If all you get is one image - a person, a building, an object - treat it as important. Taken alone that snapshot may seem like a pretty poor result - but when you learn to note down some key elements about that image - and then capture the mood to expand that experience later on, you can discover there may be many more details available than you were first aware. It is as if they have downloaded without you realising, and now you have to pull them onto the screen of your mind.
Sometimes, these explorations may meet dead ends very quickly, like an underground cave explorer reaching solid, impassable rock. But at other times, the exploration can seem endless, as if there are streams of information readily available to you, depending upon which direction you decide to focus on or move in.
With practice you’ll be able to recognise these clues more and more easily, and will have fuller and more profound experiences.
In the next lesson we’ll continue this idea and show you the next steps in the process to help you extract meaning and relevance from your experience, and how to use this information to make a difference nowadays.
So until the next time,
Very best wishes,
Andrew Parr